Einbond, Aaron
* 1978

Aaron Einbond’s work explores the intersection of composition, computer music, music perception, field recording, and sound installation. He was born in New York in 1978 and has studied at Harvard, the University of Cambridge, the University of California Berkeley, and IRCAM in Paris with teachers including Mario Davidovsky, Julian Anderson, Edmund Campion, and Philippe Leroux. From 2009–2011 he was Mellon Postdoctoral Fellow in Music at Columbia University, from 2012-13 he was Research Fellow at the Centre for Research in New Music at the University of Huddersfield, and he is currently Visiting Lecturer on Music at Harvard University. Upcoming projects include a Guggenheim Fellowship, a Musical Research Residency at IRCAM, and a Giga-Hertz Prize from ZKM to produce a new work at the SWR Experimentalstudio in Freiburg.
Photo Copyright © 2015 Soili Mustapää
Works
15 works
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Einbond, Aaron
Prestidigitation
for solo percussion and 3D electronics
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Prestidigitation II
for solo percussion, 5 instruments (bass flute, bass clarinet, violin, viola and violoncello) and 3D electronics
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Cartographies
for piano, percussion and live electronics
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Paläontologie
for baroque flute, viola da gamba, theorbo, harpsichord, contrabass clarinet, violin, percussion, piano
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Einbond, Aaron
Passagework
for two pianists, two percussionists and live electronics
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What the Blind See
bcl, vla, hp, pno, perc
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Starting Over
for contrabass paetzold recorder in F and live electonics
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Beside Oneself
for viola and live electronics
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Temper
for bass clarinet and live electronics
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Einbond, Aaron
Endangered Sound
2.2.2.2 -2.2.0.0 - perc(2) - hp - pno - str
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Without Words
for soprano, eleven instruments, and live electronics
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String Trio with Field Recordings
String trio with tape
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Xylography
for violoncello and electronics
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Graphology
vc solo, bfl, bcl, vn, perc, electronics
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Einbond, Aaron
Resistance
for bass clarinet and electronics
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