Notas para una cartografia de Filipinas

“Jeffrey Ching offered for his Notas a calligraphic notation, its ornamental delicacy being reflected in the sound. The pianist Okuni had to knock on the body of the instrument, had to put on a gong while playing and simultaneously had to manage exhausting ostinato figures, complex chord arpeggios and furious changes of dynamics. She wandered through the graphic music notation like a map.”

Günter Moseley, “Von einer Pianistin, die auf Holz klopft”, Münstersche Zeitung, 2 October 2008